My flash story Things That Happen in the Night is in Fireflies and Fairy Dust: A Fantasy Anthology. Published by Eu-2 Publishing it will be launched on March 1, 2018. Now available for pre-order.
My flash story Things That Happen in the Night is in Fireflies and Fairy Dust: A Fantasy Anthology. Published by Eu-2 Publishing it will be launched on March 1, 2018. Now available for pre-order.
Many thanks to the wonderfully talented Kade Cook for the interview on her blog Inside a Beautiful Mind posted today, September 22, 2017. Check it out at the link or read it below.
Good Morning Everyone and happy Friday
Welcome to Inside A Beautiful Mind.
For those of you who have been here before, go grab your coffee, tea or beverage of choice and come sit with me as we get comfy and have a chat with the wonderfully talented Shirani Rajapakse.
Good Morning Shirani, thank you for hanging out with me this morning and being a part of Inside A Beautiful Mind.
So now let’s get to it and tell our readers a little bit about yourself.
Hi and thank you for having me over for a chat.
I’m a poet and short story writer from Sri Lanka. I live in the suburbs of the capital, Colombo. I have worked in journalism, research and management. About 15 years ago I became a full time creative writer. It wasn’t something I had planned. It just happened. I was in between jobs and had planned to take a year off to do several things I wanted and just relax before getting back to the rat race. I also thought this would be the ideal time to edit several stories as well as put down ideas I had scribbled in note books. But it didn’t seem to end as the ideas tumbled out one after the other and I kept writing short stories and poems, adding to what I already had. I realized how much I enjoyed writing and decided this was what I wanted to do for the rest of my life, not as a hobby, but full time.
I’ve published two books – a short story collection and a poetry book. I have also published a lot of individual pieces in literary journals and anthologies around the world.
I’m a vegetarian and a chocoholic. I love dogs and have an eight year old dog named Bambi who has become rather dependent on me since her mother died last year.
I enjoy reading anything that is well written. The genres I read these days are literary fiction, women’s fiction, contemporary romance, light mystery, fantasy and of course quite a bit of poetry.
Can you tell us about your books?
My first publication was a collection of short stories. It was called Breaking News and it was shortlisted for the Gratiaen Award in 2010 and published by a small traditional publisher the following year.
This year I self published my poetry book Chant of a Million Women. I worked on it the whole of last putting together the poems that would make up the collection, deciding on what to use and the order of the poems and also getting it edited. I spent the better half of this year learning about self publishing – how to format books, do covers (although I didn’t do the cover for this one), and also market and promote the book. I published it last month, and although it’s taken longer than I thought it would to get published it was fully worth it.
What inspired you to write your first book?
I have been writing since the late 1990s. My first book is an unpublished novel and was inspired by a rather disturbing incident that took place involving a young woman. After writing this I began writing short stories and poems. I think it was like a chill out period from writing the novel. I found that I liked writing short stories and poems; the brevity of words was refreshing and I felt intrigued with the shorter forms of writing. Since there were many stories and poems piling up I felt it was time to start publishing them as collections. I decided to go with a short story collection first because I was more serious about fiction than poetry. Breaking News was publishing in 2011. I didn’t think I would write many poems or that it would become a form of writing I preferred over stories until much later. It was only after Breaking News was published and I started looking through my unpublished work that I found enough poems to make up loosely themed collections.
Chant of a Million Women is the first collection to be self published. Each of the poems were written at different times, and although I had a collection ready by the end of last year, I found myself adding three more poems a few months before I signed off on my final draft. The poems are about women in different circumstances and situations. They are influenced by what has been happening to women down the ages and across the world, the treatment of women and children and the responses of society. They cover a gamut of topics and emotions and I hope these poems open up a dialogue to discuss issues about the treatment of women.
Is anything in your book based on real life experiences or purely all imagination?
Everything I write about is influenced by what I see around me. The stories or poems are not all based on real life experiences but most are. Breaking News is based on incidents that took place in Sri Lanka and consists of stories written about living under the threat of war that a lot of us experienced. Getting attacked by Tamil terrorists, losing family and friends, not knowing if we would return home when we left for work or school, was normal life for us for many years. Yet despite the terror and fear we lived under there was also room to poke fun at our situation and enjoy whatever bursts of sunshine we could have. It also made us realize how transient life was and that gave us a sense of awareness about how precious it was.
Chant of a Million Women has a lot of ‘stories’ told in verse about incidents that I’ve read or heard about. It is more global in outlook than Breaking News, but there are many poems that have Sri Lanka, South Asian and even the Middle East as a backdrop. Everything is not factual but most of it is based on fact. Imagination takes over to create something that is uniquely mine.
What was your favorite parts to write and why?
In Breaking News, it was the way the stories developed. My first lines were important to me and these were the lines that started the stories for me. If I couldn’t find the right words to start the story I couldn’t write it and that became a challenge. In Chant of a Million Women all the lines mattered, not just the first lines and this meant I had to work harder at developing every poem. I had to give a lot of thought and make a bigger effort to create the poems, more than the stories. Every line had to work; every line had to be a thought or idea, or even part of an idea. There was no room for fillers or excess words. I already had many poems but I needed to add more to make up a collection. There were sometimes ‘stories’ that I wanted to write about again, with a different angle and it was interesting to see how I could do this without making it seem similar to the one already included. The challenge was to create poems that were different yet addressed the issues I wanted.
How did you come up with the titles?
Both books take the titles from a story/ poem included in the collections. I selected Breaking News as the title of the book because I thought it would be a good title since it was the first book I was publishing and it was like a news item calling emphasis to the book. Also the subject matter being such – attacks on civil society, the disruption of life and destruction of property by terrorist attack – anything happening during that time was ‘news’ and would be splashed across the newspapers. With the poetry book the obvious choice was Chant of a Million Women since the book is all about women. It details the experiences and situations women the world over face and it is also something almost all women can identify with.
What has been the toughest criticism given to you as an author? What has been the best compliment?
I haven’t got much harsh criticism for my writing, but I’ve been told the stories in Breaking News are difficult to read because of the subject matter. I do realize it is not easy to talk about some things, but I don’t believe in shying away from issues just because it is hard to come to terms with. I think that if we can live through horror and come out of it, then it’s also important to talk about it and as a writer I know I will continue to do that, even though it may not be appreciated by many people.
Since publishing Breaking News I’ve been submitting work, mostly poetry to literary journals and anthologies and except for three instances when the editors suggested very minor changes to the work submitted, like changing a word or two or delete a couple of lines, I’ve never had to re-write or alter anything I submitted. I consider this a huge compliment as it means I have been able to create something that is near perfect. Another compliment would be the acceptance of my work by editors of literary journals the world over, as it means they like and value my work enough to include it in their publications that are read by many different people.
Do you have any unique or quirky writing habits?
I don’t know if this qualifies as quirky or unique, but I tend to do my first draft in my mind. I have to see everything in my mind, like a movie. I can’t write it if it doesn’t unfold in a particular sequence and even if the desire to write it is strong, the story won’t sound good and it won’t be a success. I’ve tried that and have realized it just doesn’t work. So now I let it play inside my head before I take it down and put it in words. Although I love writing I’m a lazy writer. It takes me ages to write what’s in my mind. I’ve lost many ideas because I was lazy to put them down.
Do you work with an outline, or just write?
I mostly just write, although there are some times when I outline my stories in my mind. When I get inspired by either reading or seeing something I immediately see a story happening in my mind. Sometimes the story I have is not at all related to what I’ve seen or read but is merely influenced or inspired by just reading or seeing whatever it was I saw or read. I let the story flow through my mind like a short movie for a few seconds until I am comfortable with it, then I quickly write it down. It doesn’t have to be the full story or poem, but I have to write whatever comes to mind. Later I add and change things around, but that first line or idea has to be there. It’s the same with poems, although I have to write down the complete poem when I am inspired. The editing later takes care of any discrepancies etc.
Can you tell us about your experiences in getting your first book published?
I’ll talk about my second book Chant of a Million Women because it is the first book that is self published and this means a lot to me. The collection was put together in 2015 from poems I had written at various times. I started working on it seriously in 2016 when I began selecting the poems that I wanted from what was there, adding new poems, creating an order and getting it all edited and ready for publishing. Then I left it to learn about how to self publish. I spent the first six months of this year talking to people online and in writers groups, asking questions which later I realized were so silly but at that time felt like they were the most important, learning to format a book, design covers, making decisions about where to publish and how to market the book etc. This was probably the most intense six months of work I’d done for a long time and it felt harder than writing. I was very fortunate to meet some very nice and helpful people and I’ve made friends with quite a lot of people along the way. Writing was the easy part, publishing was hard and I think marketing and promoting the book is going to be the hardest.
When did you first start writing and when did you finish your first book?
I had been collecting poems for a long time and in 2015 I started separating them into themed collections. The strongest to come out was the theme on women. But I didn’t have enough and I started adding more. Then in 2016 I had a rough draft of about 85 poems. That got edited down to 80 and then to 70 by the end of 2016. I decided to publish this and left it to start learning about self publishing. A couple of months before I started to format the book I included three more poems that I had written with the objective of submit to a journal.
How did you choose the genre you write in?
I think the genre chose me. I’m more interested in literary fiction probably because that has been the genre I’ve read the most. As for writing, I never thought I’d write short stories or poems since I didn’t much like short stories and I had no idea how to write poetry. I always thought I’d be a novelist. The short stories and poems were written during breaks in writing the two full length novels that are yet unpublished. When it came to publishing I submitted the short stories and one of the novels. The publisher selected the short stories. After publishing I continued to write short stories as I felt some of the stories I had worked better as short stories than as a novel. I also began submitting poetry to journals and this resulted in turning towards writing more poems. I realized that the more I read and wrote poetry the more interested I was in writing verse and also that I was getting better at it.
Where do you get your ideas?
The ideas are all around me. They are to be found in the garden listening to the squirrels chirping in the trees, watching the sun walk across the sky every day and the conversations I have with people around the world and the news happening everywhere.
Is there any particular author or book that influenced you in any way either growing
I grew up reading Enid Blytons and the classics like Jane Austen, the Brontes and others. I devoured books. Anything that was interesting was read and re-read. Books were like a lifeline of sorts and I preferred reading to homework. I can’t say a particular book or author influenced me, because there were many authors that I followed and many books that influenced me at the various stages of my life. I also found that a particular author or book I liked at one time in my life didn’t bring me as much joy in another time. I used to think it strange but realize that we outgrow our interests and what we find pleasure in at one time can be boring and uninteresting at another time based purely on our experiences and where we have been in life.
Growing up I read mostly white writers and it was only when I was in my twenties in University, reading for my degree in Literature that I found myself having to read non white writers or writers using Africa and Asia as their background for stories. At first I didn’t want to read them as I had got so accustomed to reading and being familiar with the type of writing of white writers. Then when I started reading I was amazed to find how much I liked the stories I read and could finally identify with the characters and the worlds they inhabited. It was like reading my own experiences and narrative.
Do you have any advice to give to aspiring writers?
Write whatever you want to write because you alone know the stories you want to tell. When you sit down to write let the words flow the way they want. Later, when you have finished your story or chapter go through it and make any changes. Then put it away and go do something else. Write another story, read a book, travel somewhere, do anything to forget the story you wrote. Come back and look at it objectively. Edit it as if it was someone else’s story and not yours. Be as merciless as you can, cutting down unnecessary words, adding new words to make the story stand out. Polish the lines, re construct sentences left hanging. Tighten them like you would tune a stringed instrument to get just the right notes. Put it aside again for another month or two. Let your eyes go over it again and send it to someone to read, maybe a beta reader. Edit based on the feedback you get. Keep editing until you are happy with it and know that there is nothing you can do for it anymore. But of course, writing and editing is never finished and you will always have something you want to add or change even minutes before you hit publish.
What is your favorite quote or saying?
Write with your heart. Edit with your head. Not my words but they work for me.
Tea or coffee?
Love them both. Sometimes I’m a coffee drinker and at other times I’m a hopeless tea drinker.
Sweet or salty?
As long as it is chocolate then it’s sweet.
Would you like to share with us a passage that will give us a glimpse into the world you built?
Here are two very different poems from Chant of a Million Women.
Because I crossed over
no man’s land one day, a few steps
of nothingness between two countries
that drew borders to fence us in.
A sliver of territory
just enough for a road to run through,
a few kiosks that might make it
livable, but not
sufficient for homes
to make you feel loved, or
to put down roots.
No one feels
at home in no man’s land.
No one stops there. Not for long.
Only lonely birds swooping down infrequently
to rest awhile, taking wing as they sense
all is not quite right. Or
the occasional curious cow that wonders
if the grass is really greener
yet doesn’t venture further.
A feeling of unease she can’t quite understand;
fear of death by slaughter, slow and painful,
cold breeze carrying messages of anguish
and terror waiting on
the other side.
Because sometimes words
are not required to make one understand or
experience joy and grief
at the same time.
Because of this you left, unable
to comprehend, refused to accompany me.
Stood for an hour at the threshold until
the gates closed behind me.
You gazed as I went over
to the other country.
Past the entrance,
the men in uniform, the plumed hats,
the paperwork, the stamp of finality,
to get lost in the rest of what makes it theirs.
Not yours anymore.
Because it happened so long ago you
don’t remember the words spoken
as you watched people
stride away. Like me.
But I remembered your face that day
and the words you
wanted to speak,
so you let your eyes converse instead.
Because it sounded so good,
like a violin crying in an abandoned house,
like a dog howling in the lonely ruins,
like a peacock singing in a desert dream,
and I remembered.
Somewhere in the Middle East After One War Ended
Child in the classroom unable
to speak. Staring at the space in front
silent to the teachers urging.
Mouth refusing to shape
words that don’t come out, they died,
crumbled to dust and got lost
in the sands swirling not so very long ago.
What thoughts hold her back afraid
to open lips that might howl out secrets
best left hidden amidst the ruins
piled up like garbage?
Numb to the people, deaf
to the voices moving around, she hears
strange noises in her mind
deafening the songs
trying to rise up from a corner where
she stored them for safe keeping,
to make her smile.
Gunshots in the street,
the heavy fire of machine guns in
the dark of the night, a river
nonstop taking with it the trees
uprooted, buildings collapsed.
Flares lighting up the
sky as she hid under
the bed seeing neon signs flash across
the sky through a hole in the roof
that brought in the sun during the day,
hot and burning, like the sting of the bullet
in her mother’s chest.
The guns are silenced for the moment,
only the distant low hum of
sporadic fire in some other town
not so far away.
People walk the streets unafraid, go about
their work like
nothing ever happened.
The past erased.
Yet the guns inside
her head continue to fire volley after volley
as she struggles to live each day.
Would you mind sharing with us the best way to stay in touch with you and where to learn more about your books?
Facebook page: www.facebook.com/shiranirajapakseauthor
Goodreads author page: https://www.goodreads.com/author/show/13850404.Shirani_Rajapakse
Universal ebook link: https://www.books2read.com/shiranirajapakse
Check out the review below or go to Peeking Cat Poetry Magazine to read poems by other writers in Issue 29, September 2017.
Editor’s Book Review: Chant of a Million Women by Shirani Rajapakse
This month I had the joy of reading Chant of a Million Women by Shirani Rajapakse, a Sri Lankan poet and fiction writer.
This poetry collection covers lots of themes, including identity, relationships, freedom, dignity, war, struggle and rape, but its main message is captured in the title poem, “Chant of a Million Women”, which opens with:
My body is a temple, not
a halfway house you enter for
temporary shelter from
the heat and dust swirling through trees.
This poem really embodies the spirit of the whole collection, giving women a voice, a reminder of our self-worth and ownership of our own bodies.
“I Live in Dreams” is a mingling of dreams, reality and longing, and a similar mix of melancholy and hope can be found throughout the collection. In particular, “Asking for It” is a powerful commentary on rape and victim-blaming culture, and “Unwanted” is short but touching, and one of my favourites. “To Dance with the Wind” has some wonderful imagery which really did make me feel like I had been picked up and taken by the wind.
Overall this collection is spirited and powerful, and above all, it has an important message that is expressed so well. This is one of my favourite collections I’ve reviewed so far, and I would thoroughly recommend it.
Chant of a Million Women is available in print from Lulu.com and Amazon, and also as an eBook at http://www.books2read.com/shiranirajapakse.
You can also find Shirani Rajapakse in Flash Fiction International, Mascara Literary Review, Asian Cha, Deep Water Literary Review, Dove Tales, Earthen Lamp Journal and City Journal, among others.
Chant of a Million Women is now available in stores worldwide.
After many years of keeping quiet, Madeleine Black decided in September 2014, to share her story on The Forgiveness Project’s website and she completely underestimated what the response would be.
Many women and men got in contact and explained how reading her story gave them strength, hope, and a different perspective of what’s possible in their lives. The founder of The Forgiveness Project, Marina, often refers to the various people on her website as “story healers” rather than “storytellers” and now she completely understood why.
In March 2015, Jessica Kingsley Publishers released a book called The Forgiveness Project: Stories for a Vengeful Age, by Marina Cantacuzino. It’s a collection of 40 stories from the TFP website, including hers and has forewords by Desmond Tutu and Alexander McCall Smith.
The sharing of her story also opened many doors for her in ways she never imagined and after that the invitations started to pour in.
She has taken part in a film interview for a documentary about rape and the anonymity laws, which will be shown on Dispatches, Channel 4 and has been interviewed for STV News.
In December 2015 she gave her first public talk at a Festival of Light at the University of Keele. The theme was “Making Peace with the Enemy”. From that night she was asked to give three more talks on the same theme and has spoken at many other events too.
She has been interviewed by Dan Walker on BBC Radio 5 Live and talked about Forgiveness and Health, which led to interviews with Stephen Jardine on BBC Radio Scotland sharing her story and most recently with Sir Trevor McDonald on BBC Radio 4 talking about Redemption.
Her voice has been weaved into a performance called Foreign Body Play by Imogen Butler-Cole and has taken part in questions and answers after the show which will be taken to Edinburgh Festival next year.
She has been invited to share her stories with younger audiences too and recently spoke with 150 5th year pupils at a High school in Cork and hopes to do more of this work.
She recognises that she was a victim of a crime that left her silent for many years, but has now found her voice and intends to use it. Not just for her, but for so many who can’t find theirs yet. Sexual violence is so deeply entrenched in our culture and she hopes that by simply speaking out and writing about it, she can help to combat it by reducing the stigma while promoting a cultural change.
She has certainly felt the power and healing effects in sharing her story and hopes that her book will help other victims of sexual violence, crime, PTSD, and anyone who has struggled with forgiveness. She wants to spread her message: It’s not what happens to us that is important, but what we do with what happens to us and if we choose to, we can get past anything that happens to us in life.
She is 51 years old, married, work as a psychotherapist, and live in Glasgow with her husband, three daughters, her cat, Suki, and dog, Alfie.