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Co host for the Launch: Celine Leduc

Meet another amazing woman. My third co-host at the launch of Chant of a Million Women.

Celine Leduc

Image may contain: 1 person Celine Leduc is a poet, artist and activist for women’s rights. She is the founder of “Waking Up Women” a Facebook group that brings news and the story of all women and offers alternative news and perspectives.

Celine’s M.A. in religion history and philosophy specialty is Women in Judaism and Islam. Her thesis was about Jewish women from Egypt who live in Montreal between 1947 and 1967, a look at their struggles as immigrants.

She is currently working on Decolonizing the Euro-mind and mindset that is based on the Romanizing of the mind. Rome is the first colonizer who wanted control of the whole world in the name of god. They took away the rights of women and most laws or legal systems that come out of Roman Law. Napoleon and British Law (English Law) destroyed legal systems and created religious wars as it took away right of women.

She is also writing a book on the We-story and introspection of non-inclusive European history. Because, we have His story, Her story that is a copy of history which is a We-story as it does not include the contribution of all women and men from around the world. Inspired by Professor Bello who wrote the story of Ayiti and called it OURstory which is an introspection on the story of Ayiti.

 

 

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Co host for the Launch: Sarah Lamar King

Another amazing woman and poet. My second co-host at the launch of Chant of a Million Women.

 

Sarah Lamar King

Sarah Lamar King is California made, moving to Washington early in life, where she currently resides. Born to a musician and a free spirit who weren’t ready to be parents, she was adopted when she was 6 months old. She met her biological father for the first time when she was 23. They remained close until his death on Valentines day 2003. She met her biological mother a handful of times throughout her life, few and far between, as her mother went where the wind and the alcohol took her. These events as well as raising a disabled child, dealing with loss and hopelessness, domestic violence, and walking in others shoes, have all contributed to the pieces she writes.

Sarah has been writing elegiac poetry for most of her life. With adversity and melancholy as a constant companion, she pours real, raw, dark emotion into every piece she writes.

Her first published book of dark poetry, published by Creative Talents Unleashed, titled ‘My North Star Misled Me’, has received numerous, profound 5 star reviews since its release in January of 2016.

Her 2nd collection ‘Melancholy’s Autograph ‘ delves into the darker side of the human condition and turmoils so many of us face. Summarized as “Deep and raw, Sarah’s words are soul food, providing sustenance for those hungry for real art.” ~ OD

 

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Getting Ready to Launch

Image may contain: textThe launch of my poetry book Chant of a Million Women will take place on August 22, 2017 on Facebook. Drop in to find out about the book, learn about why I wrote some of the poems, read excerpts of poems and talk poetry. Post questions and join in the discussion about issues raised in my poems and also in the work of my co-writers who will take over for short spells. There will be giveaways of cool stuff including copies of the ebook.

Joining me in hosting the launch are,
Madeleine Black (Unbroken: One Woman’s Journey to Rebuild a Life Shattered by Violence. A True Story of Survival and Hope, John Blake 2017),
Sarah Lamar King (My North Star Misled Me, CTU 2015; Melancholy’s Autograph, CTU, 2017),
Celine Leduc (poet, artist and women’s rights activist), and
Audrey Barber (poet, survivor and women & children’s rights activist).

The launch will be for one and a half hours. Wherever you are around the world log in at this time from your time zone.

0330 hrs Pacific Standard Time
0630 hrs Eastern Standard Time
1030 hrs GMT
1600 hrs Sri Lankan Time
2030 hrs Melbourne, Australia Time

See you there and bring your friends.

Chant of a Million Women is available for pre-order. For print copies go to either Lulu or Amazon. For all ebooks go to the universal link to find your favorite store.

 

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Review of Chant of a Million Women

On Basso Profundo, August 11, 2017.

 

Toward the end of Shirani Rajapakse’s plaintive and eloquent book of poetry, she has a piece called “The Poetess.” In its final lines she writes:

She walked with a spring in her step.
Her expression serious. They turned around
as they saw her pass.
She felt such pride. At last to be known.
Even if to just a few.
They did not know she had
nothing to show.

The last line surprised me, and moved me to immediate disagreement. Chant of a Million Women is certainly a notable achievement: it chronicles so many moods, in so many stories, from ancient Indian epic legends to the insurmountable challenges of every day. It consolidates and focuses our attention on the myriad ways men subjugate and objectify women, and the paltry few effective means women have to fight back. This applies particularly to cultures bound by tradition, such as one finds in India and the Middle East.

And women’s situations are so hopeless in this collection that fighting back isn’t really what it’s about. It’s about maintaining something so basic as one’s identity. So often used as a simple ornament, a status symbol, or property to be hidden away, the women in these poems lose their onetime promising selves to a male society, be it as some idealized – but definitely owned – prize, or a simple, reviled piece of furniture, or worse, a victim of violent crime.

Ms. Rajapakse places her poems in a number of milieux: traditional sexist households, dangerous, sometimes murderous, public thoroughfares, urban settings and rural. Often, no setting is specified, except the consciousness of the dispossessed woman.

A million women would indeed raise this chant. They would be fortunate were they to make it this resoundingly, with such force. The poetess distills their suffering to a specific litany, as though a bell were ringing to toll the offenses, forming a high-relief frieze of the hundreds of thousands of wives, daughters, and princesses whose stunted lives impoverish us all.

This is a distinctive, consistent collection in which the milk of human kindness has no place. Nowhere are the kind whispers of a lover or even the support of a life partner. Ms Rajapakse has consistently chosen her pieces with a eye to the plaints and sorrows of women. I salute the courage with which she lends her voice for the forgotten and uncared-for women suffering in so many places in the world. Take up Chant of a Million Women and experience its elegant phrases and its moral force.

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On the road to self publishing – ebook formatting

I finished formatting my ebook. Yes, it’s now officially ready for release.

I thought it would be hell since poems have a different way of formatting even if they are all left aligned. I also had several poems running all over the page.

I contacted several book formatters and they gave me all kinds of responses when I sent a list of things I needed done.  They all were skeptical, telling me it won’t look like it does on print. One formatter though, assured me he could do it. He even did a sample of one of the poems that has a different look with the lines all over the page. He agreed, but the funny thing was when I uploaded the book he suddenly raised his price from USD 10 to USD 200 giving me reasons that didn’t make sense for that huge price difference.

So there I was stressing out about what to do for two weeks, going up and down with formatters. Should I pay so much to get something done or should I take a chance on someone who was offering much less but cautioned me saying it might not look exactly as I want it to look?

Then a a couple of friends on Facebook assured me that,

a). it was ok if the poems in the ebook didn’t look the same as the print. Because the ereader takes on the frames and needs of the readers including font size and type that can be changed, it will never look exactly the way I want it to, and

b).book formatting was easy and there were several places offering it for free.

That made me decide to do it myself. After all, I did format the book for print and had it on PDF. What could possibly go wrong with the ePUB? I got rid of the unusual formatting for the few poems that had words crisscrossing the pages and made them all left aligned (it would have all become left aligned even if I didn’t change it).

They were right. It wasn’t hard.

I uploaded the book on D2D and after a few changes, it came out looking just the way I wanted. Wasn’t expecting that, but I’m thrilled. I’ve been playing around with the draft, making changes, but it’s done. What a relief.

Next step, uploading the PDF for POD and sending for a sample to check before pressing the publish button.

 

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What’s in a Pen Name?

Some writers are confident writing under their own name while some opt for a pen name, like Mary Anne Evans who became George Eliot. There are many reasons for using pen names. Do you feel comfortable writing under your own name? Or do you think a different name would sound more exotic, more in keeping with the type of stories you tell?

I’ve never felt a need to write under a different name, mostly because my name is my identity. Although I tend to write from different perspectives and view points both fiction and poetry I wouldn’t feel comfortable using a different name. It would feel like being someone else, or like being in character. But that’s just me.

Other writers may have various considerations. It could also be quite exciting. Getting a pen name is like reinventing yourself.

Would you write under a pen name and where would you go to look for a name? What  would you consider when looking for a pen name? How do you select a pen name and where can you find names? Read this interesting article here about selecting pen names.

 

There are both artistic and practical considerations in choosing a pen name. (Image via Bigstock/Vima)

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Women Rise – Making Movie Poems

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I launched my crowdfunding campaign to make movie poems today on indiegogo. The poems selected are from my soon to be released poetry collection about women. The 5 poems selected are diverse in theme and are representative of the poetry in the collection.

Join me in bringing these poems to life by funding the campaign. There great perks on offer. Also share the information with anyone interested in funding the campaign.

 

 

 

(Photo courtesy of Warna Hettiarachchi)