I Exist. Therefore I Am won the State Literary Award 2019 in the short story category.
I Exist. Therefore I Am won the State Literary Award 2019 in the short story category.
Book Title: I Exist. Therefore I Am
Author: Shirani Rajapakse
Format: Kindle edition
The title of the book is ‘I Exist. Therefore I Am’ is very strong and interesting.
The book cover is the digital image of the ‘Woman’ symbol underwater. Which clearly gives a picture that the womanhood is getting drowned in the water, either dead or looking for survival.
Our land is a place where Goddesses are worshipped and respected in an utmost way by everyone. But most of the people fail to treat the Woman and show insolence towards them. Sometimes, they are tormented by the society and family in a physical and mental way which forces them to take the unexpected treacherous decisions. The pain woman take is unexplainable and her toil is inappreciable.
The author has penned down the trauma and soreness which woman goes through in her stories.
The characters in the stories will show how rude the society is towards the woman and how they treat her when she is in twinge. While reading each story the reader will feel the chills in the spine. The horrifying stories and the disturbing plot will leave the reader in fury.
The pitiful stories of a mother, newly married woman, an aspiring young woman, widowed woman are presented in the book. Read this mind alarming book by Shirani Rajapakse.
What I like:
The plot of the stories is good and the characterization is good and stirring.
What I didn’t like:
In particular, there are no negatives which can be pointed out. The stories are way too tragic and make the reader feel pity about the life of a woman.
The narration in all the stories is very well and it is easy to read.
Language & Grammar:
A clear language with neat and uncomplicated grammar is used in the book
My Final Verdict:
A book that focuses on the harrowing issues which women face in day to day life and to be read by everyone especially the youngsters.
Book Title: 3/5
Book Cover: 3/5
Language & Grammar: 4/5
Final Rating: 3/5
Breaking News was my first book that was published in 2011 by Vijitha Yapa Publications, a small book publisher in Sri Lanka. The book was shortlisted for the Gratiaen Award in 2010 in MS.
There’s an ebook as well.
The theme of this collection is about living under the shadow of conflict and looks at both the JVP insurrection of 87-89 as well as the long drawn out conflict between the Tamil terrorist LTTE and the rest of the country.
Thanks to Hayley Faye for the cover.
Here’s the blurb
“A young girl searches for a loved one. A mother grieves for her sons. A soldier wakes up with a missing limb. A woman reveals her true nature when she blows herself up. A young boy is traumatized by the loss of his baby sister. These nine stories take you through glimpses of two civil wars and what it’s like to live under the threat of terrorism. Yet all is not dreary; there are glimpses of humor and satire as life goes on amidst pain and suffering.”
The 2018 Kindle Book Awards is Sponsored by…
Semi-finalists: Contact firstname.lastname@example.org to claim your Semi-finalist badge.
Horror/Suspense (Finalists & Semifinalists)
Young Adult (Finalists & Semifinalists)
Romance (Finalists & Semifinalists)
Mystery/Thriller (Finalists & Semifinalists)
Non-Fiction (Finalists & Semifinalists)
Literary Fiction (Finalists & Semifinalists)
Sci-Fi/Fantasy (Finalists & Semifinalists)
A Page to Turn Blog of Bobbie Stanley
Reading Books in a Southern State of Mind
January 24, 2018
Rating: 4 stars
It’s hard for me to review poetry. Prose makes it easy because grammar, flow, characters, and plots come into play. Poetry, though, can’t be dissected quite the same way. This book, while technically fewer pages than a lot of the ones I’ve reviewed, took significantly longer to read because it pulled me through so many experiences. To say that I enjoyed it wouldn’t be quite accurate; each poem in this book made me thoroughly feel something, but most often those feelings were desperate, angry, and painful. They shed light on lives and experiences I will probably never have a chance to understand through my life path. They forced me to see things I would rather ignore and called out my typical American behavior of overlooking the hardships women face outside of this country.
There were times while reading this that I felt overwhelmingly guilty for having been born into a life that some people will never know. I felt guilty for taking for granted the freedom that we have and for failing to use my voice when I have so much more opportunity to do so than women in more countries and societies than I can count ever will. There were times when I felt embarrassed for the way that our society has taught people to behave. Not all of these poems were particularly enjoyable in their experience, but every one of them sparked thought and brought up very real questions that we should all be considering. That is the true value in this work. It is not a light read. It is not something you’d carry with you to the beach or enjoy over a night, relaxing vacation. There’s nothing relaxing about this. This is a book that sparks movement, that demands action. If you are prepared to be dragged into a reality that most of us would prefer to ignore, this is a great way to do it. Let these words show you the things you haven’t learned yet. Let them make you angry. Let them draw you out and call you to action. Well done, Shirani. This is a powerful collection, and I hope it calls forth the action and attention it deserves.
Toward the end of Shirani Rajapakse’s plaintive and eloquent book of poetry, she has a piece called “The Poetess.” In its final lines she writes:
She walked with a spring in her step.
Her expression serious. They turned around
as they saw her pass.
She felt such pride. At last to be known.
Even if to just a few.
They did not know she had
nothing to show.
The last line surprised me, and moved me to immediate disagreement. Chant of a Million Women is certainly a notable achievement: it chronicles so many moods, in so many stories, from ancient Indian epic legends to the insurmountable challenges of every day. It consolidates and focuses our attention on the myriad ways men subjugate and objectify women, and the paltry few effective means women have to fight back. This applies particularly to cultures bound by tradition, such as one finds in India and the Middle East.
And women’s situations are so hopeless in this collection that fighting back isn’t really what it’s about. It’s about maintaining something so basic as one’s identity. So often used as a simple ornament, a status symbol, or property to be hidden away, the women in these poems lose their onetime promising selves to a male society, be it as some idealized – but definitely owned – prize, or a simple, reviled piece of furniture, or worse, a victim of violent crime.
Ms. Rajapakse places her poems in a number of milieux: traditional sexist households, dangerous, sometimes murderous, public thoroughfares, urban settings and rural. Often, no setting is specified, except the consciousness of the dispossessed woman.
A million women would indeed raise this chant. They would be fortunate were they to make it this resoundingly, with such force. The poetess distills their suffering to a specific litany, as though a bell were ringing to toll the offenses, forming a high-relief frieze of the hundreds of thousands of wives, daughters, and princesses whose stunted lives impoverish us all.
This is a distinctive, consistent collection in which the milk of human kindness has no place. Nowhere are the kind whispers of a lover or even the support of a life partner. Ms Rajapakse has consistently chosen her pieces with a eye to the plaints and sorrows of women. I salute the courage with which she lends her voice for the forgotten and uncared-for women suffering in so many places in the world. Take up Chant of a Million Women and experience its elegant phrases and its moral force.
I finished formatting my ebook. Yes, it’s now officially ready for release.
I thought it would be hell since poems have a different way of formatting even if they are all left aligned. I also had several poems running all over the page.
I contacted several book formatters and they gave me all kinds of responses when I sent a list of things I needed done. They all were skeptical, telling me it won’t look like it does on print. One formatter though, assured me he could do it. He even did a sample of one of the poems that has a different look with the lines all over the page. He agreed, but the funny thing was when I uploaded the book he suddenly raised his price from USD 10 to USD 200 giving me reasons that didn’t make sense for that huge price difference.
So there I was stressing out about what to do for two weeks, going up and down with formatters. Should I pay so much to get something done or should I take a chance on someone who was offering much less but cautioned me saying it might not look exactly as I want it to look?
Then a a couple of friends on Facebook assured me that,
a). it was ok if the poems in the ebook didn’t look the same as the print. Because the ereader takes on the frames and needs of the readers including font size and type that can be changed, it will never look exactly the way I want it to, and
b).book formatting was easy and there were several places offering it for free.
That made me decide to do it myself. After all, I did format the book for print and had it on PDF. What could possibly go wrong with the ePUB? I got rid of the unusual formatting for the few poems that had words crisscrossing the pages and made them all left aligned (it would have all become left aligned even if I didn’t change it).
They were right. It wasn’t hard.
I uploaded the book on D2D and after a few changes, it came out looking just the way I wanted. Wasn’t expecting that, but I’m thrilled. I’ve been playing around with the draft, making changes, but it’s done. What a relief.
Next step, uploading the PDF for POD and sending for a sample to check before pressing the publish button.