The Front Matters

You’ve probably skipped through the first few pages of any book, or, if you may have merely glanced through them before getting to the story. Have you ever wondered what it all means and why the front matter is there for?  Susan Oleksiw has an interesting post about formatting where she discusses what should go into the front matter of a book.   Or read it below.

Front Matter

Recently I’ve come across a number of self-published books that all have the same flaw. The writers have hired editors and proofreaders, book designers and formatters, and cover designers. But they have still failed to get one part of the book right. And this is the arrangement of the front matter.

The extent of the front matter may vary; not every book needs a preface or an introduction. But the order in which the required items appear has been well established, and serves a purpose. The front matter leads us into the work by offering important clarifying detail. Arranged correctly, the front matter orients distributors, booksellers, and librarians, and provides necessary information in the expected place. They know where this information is located. Only, now it isn’t.

The front matter on too many self-published books has me flipping back and forth among the first few pages looking for the critical details (copyright, publisher, ISBN, etc.). The experience is disorienting. But learning the correct arrangement of the front matter is simple—just examine a book published by a traditional publishing house. All of them use the same setup, the one prescribed by manuals such as The Chicago Manual of Style. My copy dates from 1982. Another option is Words into Type, from Prentice-Hall.

The front matter consists of everything before the main text, which begins with Chapter 1, opening on the right-hand page. Traditionally, everything begins on the right hand page—opening chapter, section title (and following first chapter in the section), division title. After the first chapter, each chapter can begin on the recto (right-hand page), or verso (left-hand page), but the writer should be consistent about this throughout the book. Here is the standard list of front matter for a print book and its arrangement.

Half title (recto)

blank (verso) or series title or list of previous publications

Title page (recto) with title and author and occasionally the title of the foreword, along with the name and location of the publisher and date.

Copyright page (verso) with copyright notice, foreword or preface copyright notice, publisher and additional publisher’s information (if a special imprint), ISBN, Library of Congress Control Number (if known), jacket or book designer’s name, place of manufacture, edition. This is also a permissions page if the list of permissions is short enough to be placed here. If not, place a note here referring the reader to the end of the book for the list of permissions. This will also be indicated in the Contents. Some publishers put the list of previous publications here.

Dedication (recto)

blank (verso)

Contents (recto)

blank (verso)

Preface (recto)

Foreword (recto if the first page of text; if not, either recto or verso).

Introduction (recto)

Section title (recto)

Blank (verso)

Chapter 1 (recto)

Pagination doesn’t usually begin until the first page of text, be that a preface or foreword or introduction or chapter 1. But some publishers begin pagination on the Contents page. If the front matter is paginated, the choice is roman numerals. Arabic numerals begin on the first page of chapter 1. But some publishers begin the Arabic numerals on the title page.

If you’re putting together an eBook, you have more flexibility. You can omit the half title and blank pages, and combine some of the others. The Title page can include the dedication, followed by a copyright page with list of permissions. A series title can also go below the title on the first page.

The back matter in a book of fiction is the place for links to websites, other books, and teaser chapters for your next book.

The front matter is important for providing a lot of technical information, and the point is to make sure anyone looking for it can find it. This may sound confusing at first, but putting things in their expected order makes the entire publication appear more professional.

To find my books (with front matter), go to:

https://www.amazon.com/Susan-Oleksiw/e/B001JS3P7C

https://www.smashwords.com/profile/view/SusanOleksiw

http://www.barnesandnoble.com/s/susan+oleksiw?_requestid=1017995

Iowa Online Writing Summer – Power of the Pen: Identities and Social Issues in fiction, nonfiction, poetry and plays

Two courses coming up this summer.

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On May 15, 2017, the International Writing Program at the University of Iowa will open Power of the Pen: Identities and Social Issues in Fiction and Nonfiction, a free massive open online course. This creative writing MOOC will focus on writing about identities, communities, and social issues in fiction and nonfiction. There is no cost to enroll; registration is completely free for all participants. No writing experience is required. This MOOC welcomes writers of all communities and identities.  

COURSE OVERVIEW

This MOOC will:

  • Encourage you to write both fiction and nonfiction
  • Encourage you to explore the intersections between these two genres
  • Encourage you to explore the intersections of individual, community, and global identities
  • Encourage you to examine the effect of current social issues on individual, community, and global identities
  • Foreground the principles of short and long-form fiction
  • Foreground the principles of three forms of nonfiction: literary journalism, memoir essay, and personal essay
  • Support your experience of creative and cultural exchange with writers around the world!
COURSE PROFESSORS

Professors Christopher Merrill and Venise Berry will lead you through this course. Christopher Merrill is Director of the International Writing Program and University of Iowa Professor of English; he has published six collections of poetry, five works of nonfiction, and many works of translation. His new work Still Life with Dogwood has just been published. Venise Berry is Associate Professor of Journalism and Mass Communication at the University of Iowa; she is the author of four novels as well as four books on African-American representation in film.

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On July 17, 2017, the International Writing Program at the University of Iowa will open Power of the Pen: Identities and Social Issues in Poetry and Plays, a free massive open online course. This creative writing MOOC will focus on writing about identities, communities, and social issues in poetry and plays. There is no cost to enroll; registration is completely free for all participants. No writing experience is required. This MOOC welcomes writers of all communities and identities.

COURSE OVERVIEW

This MOOC will:

  • Encourage you to experiment in both poetry writing and playwriting
  • Encourage you to explore the intersections between these two genres
  • Encourage you to explore the intersections of individual, community, and global identities
  • Encourage you to examine the effect of current social issues on individual, community, and global identities
  • Foreground the principles of writing poetry and plays
  • Support your experience of creative and cultural exchange with writers around the world!
COURSE PROFESSORS

Professors Christopher Merrill and Lisa Schlesinger will lead you through this course. Christopher Merrill is Director of the International Writing Program and University of Iowa Professor of English; he has published six collections of poetry, five works of nonfiction, and many works of translation. His new work Still Life with Dogwood has just been published. Lisa Schlesinger is Associate Professor at the Playwrights Workshop at the University of Iowa; her plays include Celestial Bodies, Wal-martyrs, Same Egg, Manny and Chicken, Rock Ends Ahead, The Bones of Danny Winston, and Twenty-One Positions.

 

Beneath the Masks – Kari Holloway

My review of Beneath the Masks is up at Goodreads. You can also read this delightful short story at Amazon here.

Beneath the Masks by [Holloway, Kari]

“I wasn’t too sure what to expect as I’m not into fantasy but I was pleasantly surprised and glad I read Beneath the Masks. I liked the start, how the scene is set with the three moons glowing in the sky and then moves to the ball inside. It felt a little like reading a historical romance but with the touches of fantasy. The story ended at just the right place, keeping readers wondering if there is more. Loved it.”

 

Women Rise – Making Movie Poems

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I launched my crowdfunding campaign to make movie poems today on indiegogo. The poems selected are from my soon to be released poetry collection about women. The 5 poems selected are diverse in theme and are representative of the poetry in the collection.

Join me in bringing these poems to life by funding the campaign. There great perks on offer. Also share the information with anyone interested in funding the campaign.

 

 

 

(Photo courtesy of Warna Hettiarachchi)

The Writer’s Space

What runs through an editor’s mind as she reads a piece of work for the first time? Does she let herself relax into the story like a reader would, or does the editor’s mind take over, hawk eyed, looking for flaws that need to be perfected?

Karen R. Sanderson, my first guest to drop in for a chat is an editor and a published writer. Her debut collection of poems No Boundaries was released last year on CreateSpace and she has plans of publishing short stories too.

Here’s your opportunity to ask everything you want to know from Karen about editing, her book of poems, and anything else about writing.

You have 48 hrs to post your questions. At the end of two days I will stop notifications and hand over to Karen. She will pick a select number of questions and reply to you in the comments. So what are you waiting for? Come on over to my page and get started https://www.facebook.com/shiranirajapakseauthor/

You can view Karen’s profile at https://karenrsanderson.wordpress.com/. or follow her on twitter https://twitter.com/KRS_WordShark . Check out her book here https://www.amazon.com/No-Boundaries-Karen-R-…/…/ref=sr_1_1…

New Ceylon Writing

“Colombo” is published in issue 6 of New Ceylon Writing. You can find it on page 27 here or read it below.

 

Colombo – by Shirani Rajapakse

 

Prescription walkers

huff and puff their way to good health,

proud of the city’s walkways,

the affluent thrusting their

jelly bellies ahead

as they valiantly attempt to compete

with young trendsetters

their ears blocked to reality,

sweating it out by

lakes and parks dressed

in designer clothes stretched taut

across wobbly frames.

They do their thing,

walking, strutting on legs

that can barely hold so much weight,

serious looks on smug faces,

while community dogs stare in amusement,

calling out to friends to come

observe the show.

 

There’s a whole generation grown up

on an unhealthy lifestyle, unable to cope,

a last bid to get their act together or

face the consequences,

sprawled on a bed with tubes sticking out

from every corner

while they gasp out in agony and plead

to every God known to man

for a second chance.

 

Yet hospitals are overcrowded.

 

They are as popular as

restaurants and watering holes.

Every minute someone’s sick, every minute

someone needs medical attention, and

every minute someone dies in

a lonely old home unable to cope, away

from families that have

no use for old flesh anymore.

 

 

 

No Boundaries – Karen R. Sanderson

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I had the pleasure of getting a pre-release copy of Karen’s book, No Boundaries a few months ago. This is what I wrote about it.

“Sanderson’s book No Boundaries evokes a place in time we can only revisit in words. It’s like being on a long journey. The images and ideas described remain long after we have stepped off the pages. Beautifully crafted, they speak to the heart, from the heart. Sanderson is at her best when writing about love and loss as evinced in ‘Mom and Bocelli’ and ‘I wish I had known you’.”

For those of you interested in poetry, No Boundaries contains an interesting mix of poems. People and places are immortalized on the pages. The images and ideas blend in seamlessly and remain long after you close the book. There is something for everyone.

Here’s one about the military.

The Trade

Inspired by Kristi P-L, USAF, Iraq 2009-2010

She packed up her comfy jeans and laying-around T-shirts

She shrugged into a heavy canvas uniform,

now her second skin

Boxed up her peep-toe high heels and sandals

and stacked them away

Now all she’s got are dusty high-top boots with heavy tread

No delicate black eyeliner around lovely hazel eyes

Just smudges of purple, her badges of fatigue

No long showers here

Just unshaved legs so she looks like the rest of the troops

Forget salon haircuts with mousse or gel

In marches a permanent helmet-head hairdo

She strains to remember how lovely that last manicure felt

Handling weapons with broken, scraggy fingernails,

unpolished and blunt

Velvety cosmetic powder abandoned at home

She wears the Iraqi desert upon her face

Late night chat-fest nights with friends of her choosing,

no more

Now, it’s early morning wake-up and drill

No delicate sparkling pendants around her neck

Just a dull metal chain with tags that identify

her blood type

While mother’s comforting shoulder and soothing touch

wait at home

She learns combat strategies and

how to react to roadside bombs

Instead of cradling a tiny baby

She crawls into a burdened flak jacket

that hides her girlish figure

She rolls out with a loaded M4 and a 9mm Beretta.

Image result for karen r sandersonAbout

Karen R. Sanderson was raised by a mother who wanted to be an English teacher and who worked for Merriam-Webster as a proofreader and an aunt who could complete the Sunday New York Times crossword in a day. Their favorite expression was, “Look it up!”

Karen is an editor and proofreader, blogger, poet, writer, and a fabulous grandma. She completed writing coursework through UCLA and the University of New Mexico. Her short stories have been featured in The Rose & Thorn Journal, Every Child is Entitled to Innocence anthology, Valley Living Magazine, BewilderingStories.com, and WritingRaw.com.

Karen is currently pursuing a degree at Minot State University and Lake Region State College in Interpreting and Sign Language Studies.

Connect with Karen on Facebook, Twitter, LinkedIn, and Google+.

Contact at karenrsanderson@midco.net.

www.karenrsanderson.wordpress.com

 

Windy City Sinners -Melanie Villines

My review of Melanie Villines very interesting book Windy City Sinners is up at Goodreads. Check it out, along with other reviews at the link, or read it below.

Everyone’s a sinner and a saint.

I didn’t know what to expect from a book described as “A Magic Realism Crime Novel”, but the more I read the more involved I became in the lives of the residents in that little neighborhood on the Far Northwest Side of Chicago. As my eyes ran over the words, I was pulled in. I found myself cruising down the road looking for a house to move into and observe everyone I met within the pages. I wanted to take my laundry to Redemption Dry Cleaners to know what Virginia had to say about my level of sin.

Everyone sins but in Windy City Sinners, you can get your sins washed away at Redemption Dry Cleaners at a price, and that price keeps rising as the fame and success of the dry cleaning business grows. People go into debt just to get their sins washed away little realizing that money cannot pay for sins committed. Yet the owner and originator of this unique business, Virginia, is least bothered where the money comes from, as long as it keeps coming.

“Does the State of Illinois ask where people get the money to buy lottery tickets? Do the riverboats ask where people get the money they spend in the slot machines and at the gaming tables? Does the Catholic Church ask where each dime comes from that goes into the collection plate?”

Every character has his/her spot in the limelight and readers are given a front row seat to their lives to view their sins. Everyone is a saint and sinner rolled into one. What’s interesting is that while they commit the most unbelievably bizarre crimes one can’t feel negatively about any of the characters. Even Grazyna who steals from the dead without remorse, is quite likable. We find ourselves sympathizing with her views, and even accepting that there is nothing wrong with taking from the dead since what use are all those decorations placed on their graves since they are no more.

“Grazyna doesn’t see this as robbery. Silk flowers are expensive, after all. And what good are they to the dead? The flowers look much better in her yard. The departed souls have told her as much. She confers with them, asking for their consent before she takes the flowers. Grazyna considers herself fortunate –life is so much simpler when you receive permission for an act that most people would deem as a sin.”

Everyone wants to lead a good life and they are trying to find ways to do so, legally or illegally. They are also trying hard to be good people in the eyes of God, and are always making excuses for their sins or trying to find ways of redeeming their sins.

Marek impersonates a black man to rob because he thinks no one would suspect a white man of holding up dry cleaners. A recent immigrant, he needs the money to make his dream come true, and he reasons with himself that,

“outright robbery is more honest than corporate deceit.”

Father Spinelli the frustrated and angry pastor is not interested in tending to his flock. Being in the Church is merely a means of employment. He yearns to become as famous as Father Antonio Vivaldi and the inability to realize his ambitions has made him into a bitter man who has no choice but to listen to the problems of his congregation while all he wants is to make music, get a record deal and become famous.

The author succeeds in keeping the reader waiting to turn the page and discover more. This was one book I found hard to stop reading, and was quite disappointed that it had to end. It’s entertaining and hilarious and you feel for the characters, all of them. There’s good and bad in all of us and the characters of Windy City Sinners are proof of that. Everyone’s faults and weaknesses are brought out into the open and analyzed. We see kindness lurking in almost everyone coupled with greed and avarice. We also see the sheer determination and effort the characters put into what they do to deceive everyone around them, like Officer Jerry Valentino, who tries to hide the stash of drugs in the statue of the Virgin Mary and the crimes Sammy the mafia man is willing to commit in order to quit his line of work.

Money and fame are the guiding forces behind every action of the characters. When Virginia’s dry cleaning business becomes almost like a religious cult, Grazyna also decides to get in on the sin redemption business and starts the Spotless Souls Housekleaning Service selling a line of sin-removing sponges and other do-it- yourself products.

“She realizes there’s no end to ways you can make money – once you get started with a good, solid business concept.”

Everything is business and everyone wants to make it big. Yet there is a price to pay as everyone finds out. But do they learn from their mistakes? Or from the clairvoyant cat?

 

The Way It Is

We can’t sing certain songs
that speak of our glorious past or our
identity. We are shamed. Tunes
hummed softly to walls that sometimes listen but
don’t record words barely coherent they
brush cheeks against hard surfaces
and sigh to winds passing outside. We
can’t be proud of our
history, the long winding road
of deeds that made us who we
are, those many, many years of development,
innovation, education,
love for humanity and the land we
live in, the great strides we
took into the future that brought us
here where we are, right now. We
are ridiculed, made to feel stupid, those years
slowly erased from memory one word at a time,
dissected, analyzed and thrown away as
not being worth a cent. Our
history. My history that sleeps crammed tight
inside cupboards, imprisoned behind glass
walls in a white man’s home, forgotten, yearning to
return but held back by words agreed with
forced signatures while mothers watched
their infants balanced on swords. We
aren’t allowed to practice our beliefs, our
religion of non-violence. We
are looked down as being inferior practicing an
ancient wisdom they claim has no place
in this new world order rolling in. Everything is being
re-written to suit the white man
somewhere. We
are forced to accept the white man’s ways
and beliefs, his lifestyle, his food filled with things
that harm our bodies. We
are persuaded to sell our values, our businesses,
infrastructure, money making properties that are
made to look as disasters, failures in our
incapable hands, handed over to foreigners with
no idea of their true worth, to appease
buffoons in political power. We watch helpless as our
lands, those many tufts of earth that make up
this place we call home, nurtured with the blood of
warriors that died to save it for a future,
are torn up, lines drawn for
ownership claimed from foreign shores.
Slowly, slowly we
change, turn once again to become slaves to
whiteness this time not controlled with
guns held against us
but through agreements signed in cold climes
behind hushed doors. We
are compelled to obey the rules
follow the oil man’s religion. Shroud our
women in darkness. Our
words are twisted like vines, tied up,
strangled. Simple meanings deconstructed, what we
meant is portrayed as something negative, ugly,
best left unsaid thrown into the gutter. We
become nothing. Beaten up our
backs curved in surrender aged beyond our
years. Coerced
into submission to the white master
oil master coming in different clothes, speaking
through different tongues sliced in two, sugar
coated to please
controlling through regional bullies,
political prophets and
religious puppets, money exercising utmost
authority while debauchery reigns,
reigns, reigns and thugs party with not a care in
the world and the police cheer and the public
cry foul and no one listens for ears
hide inside potholes and words roll in the dirt
desperately waiting for the rains.

© 2016 Shirani Rajapakse

Lakeview International Journal of Literature and Arts

Earth Song is featured in LIJLA Vol 4 No1 February 2016. Go here or read it below.

 

Earth Song

 

I am the weeping earth cringing

in pain when you dig me up, pulling out

 

limbs, entrails leaving me to hemorrhage.

Shocked, in excruciating pain, no one hears my

 

silent cries. Children orphaned, lives torn apart,

fracking my veins drinking me dry. Parched

 

I crumble into pieces. I am the silent sky watching

anger whizz by to explode in places you don’t like.

 

Not yours to care while I listen

to the cries of the weak

 

trying to make sense of it all

amidst terror raining down from

 

above. I am the roaring waves, the deep

darkness under heaving waters, flowing rivers

 

gurgling streams and silent lakes that stand still as

mirrors for clouds to comb their hairs. You

 

damn me everywhere but I lift my

head straining to rise, course through the

 

way I want and not how you think

I should. I am the raging fire that burns, taking

 

the trees with me chasing the birds away,

the deer, rabbits and wild beasts

 

that hide within my voluminous cloaks. Trees, how

I love to sway to birds tunes, the beat of squirrels feet,

 

weave my magic through the land, burrowing in deep,

standing up tall reaching high to the skies waving

 

my many arms in the breeze holding onto life. I am

woman I am life I am earth and I bleed.

 

International Times

Originally published in “Writers for Calais Refugees” A Place to Call Home was published today in International Times.

 

A Place to Call Home

 Stichting-Vluchteling-The-Dutch-Refugee-Foundation-1

When what you flee from is
not what you want to remember, blood

washing streets, bodies decomposing,
sisters forced to strip down, gorged on like

the entrails of cattle by a dozen or so men
wanting things they have no

right to, but expect you, your mother or daughter to
pay, when what you run towards is

not what you expect, ephemeral like sad clouds
passing overhead or translucent lines of

steam rising from coffee whose taste lingers
only in your memory, when what you witness is

not what you had hoped, for yourself and the others
with you, unwashed bodies, smells of fear, loss,

helplessness, hunger that not even the dog on the
street experiences, huddling in the darkness as

you rise and fall on waves pounding through, praying
to any god that listens to let you stay afloat

balancing precariously on her many sighs
and heaves and not embrace you into her octopus

arms like she did so many times gathering others into her,
the dark skirts smothering only to vomit them up on

beaches, worn out, unresponsive, of no
significance, when what you look forward to is

not what you get on arrival, the snaking lines, the wait,
the taunts, the beating, razor sharp wires that brand

your attempts to scramble out, the sneers and most of all the
looks of contempt, you wonder if what you left behind,

however terrible it was, however cruel the sun shone, was
better than this, a living death – who can say if there

is better than here, but can you retrace
your steps to here that doesn’t want you anymore?

SHIRANI RAJAPAKSE

https://writersforcalaisrefugees.wordpress.com/2015/10/26/shirani-rajapakse/

New Verse News

Posted today a poem about the elections in Saudi Arabia.

WEDNESDAY, DECEMBER 16, 2015

SAUDI ARABIA

by Shirani Rajapakse


RIYADH, Saudi Arabia — In elections that allowed Saudi women to vote and run for office for the first time, more than a dozen women won seats on local councils in different parts of the country, officials said on Sunday. While the move was hailed by some as a new step into the public sphere by women in this religious and conservative monarchy, the local councils have limited powers and the new female members will make up less than 1 percent of the elected council members nationwide. —NY Times, Dec. 13, 2015. Photo credit: Ahmed Yosri/European Pressphoto Agency.




What use a vote
when they are all shrouded

in darkness? An
image at the periphery of the horizon

crying to be acknowledged,
a shadow fluttering past, a sad cloud

shielding its eyes from
a dust storm,

a puppet in the house
dancing to someone’s idea of a

tune. None of these are of much use,
except to entertain

and you don’t
need a vote for that.

Shirani Rajapakse writes poetry and fiction. Winner of the Cha “Betrayal” Poetry Contest 2013, finalist in the Anna Davidson Rosenberg Poetry Awards 2013, and shortlisted for the Gratiaen Award 2010 her work appears in Flash Fiction International (Norton 2015), Silver Birch, Asian Signature, Moving Worlds, Berfrois, Counterpunch, Earthen Lamp Journal, Dove Tales, Buddhist Poetry Review, TheNewVerse.News, About Place Journal, Ballads (Dagda 2014), Poems for Freedom (River Books 2013), Voices Israel Poetry Anthology 2012 and many others.

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Issue 5 of Cities + is all about secrets. Here is what to expect in the issue.

“We send you on a hunt to find answers written in urban landscapes and whisper (or maybe shout) to you about Rankopolis, the most ‘city’ of all cities. There is a polemic on the parasitic nature of the urban-rural divide. There is a series of conjurations based on Calvino’s ‘Invisible Cities’ (if you don’t think you can see the invisible, think again)(actually always, always think again). And there is a most impressive contributor who literally unearthed the secrets of her garden. That’s not even an exhaustive list. ”

Check out The Old Road on page 58.

 

 

Cities + Secrets

Flash Fiction International

A review of Flash Fiction International at Kitaab. To read it go here.

“Right on the trail of Kafka and coincidentally just a few pages after him, we have the story “Shattered” by Shirani Rajapakse from Sri Lanka. The title hits the reader like the single-worded and sometimes monosyllabic title of a horror movie. Now this is not the case at all in terms of genre but the events described are nothing short of horrifying. The writer speaks about war, like many other Lankan writers do, but Shattered puts a unique spin on the theme.”

Getting it Write!

The annual creative writing seminar organised by the English Writers’ Cooperative (EWC) Sri Lanka will be held on August 29, 2015 from 9.30 a.m. to 2.30 p.m. at the auditorium of the Sri Lanka Federation of University Women.
There will be two sessions on poetry and short story followed by a panel discussion in the afternoon.

For more info check it out on Facebook.

Flash Fiction International – a review

“As much as I love and admire full-length fiction, these little marvels have had such a salutary effect on me. I highly recommend them for you, too. Take and enjoy. The doses might be small but they are always  bracing!”

Check out the review of Flash Fiction International by Luke Sherwood in Basso Profundo.

 

National Flash Fiction Day at The Write – In

The Editors at The Write -In have created an event for today, June 27, National Flash Fiction Day. Write flash stories based on any of their prompts and if the the stories are interesting they get published. It’s all happening right now. Check out my story Things that Happen in the Night.

 

 

 

One hundred rupees for a day of lit

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What can a hundred rupees (approximately 0.75 USD) get you? A bottle of water, a snack, some sweets, maybe a short bus ride to wherever and back? That’s not much really. A hundred rupees certainly won’t get you in through the door of any theatre or movie hall anywhere in the country either. But on Saturday April 25, a hundred rupees opened the doors to a literary festival. And it wasn’t just any literary festival but one that brought together local writers from all communities in Sri Lanka to one single venue for an entire day. Yes, a hundred rupees marked its value well that day.

Anyone interested in books and writing had a whole day to spend at a literary event with an added bonus of a sampling of kadala (chickpea) served in a typical gotta (paper cone) all for a hundred rupees.

The Western Province Aesthetic Resort in Colombo that played host to the event was in many ways an ideal location. Two well air-conditioned halls and one open hall, an open air space and a fairly large area for stalls – books and food and resting places, plus the greenery and water features provided a pleasing setting on a sultry Sri Lankan day.

The Annasi & Kadalagotu Lit Fest created a first in many ways. The thirteen events from a book launch, talks with writers, a documentary, publishers’ clinic and panel discussions were spread out across three halls.  It was the first literature festival in the country that had such a low entrance fee, enabling everyone from all walks of life to participate in every activity with no extra charges. It was also the first time writers from all three languages of the country Sinhala, Tamil and English came together to talk about all things writing.

Adding to the local flavour were the street vendors who’d set up at the entrance selling hot hot kadala, boiled spicy manokka (cassava), annasi (pineapple), corn on the cob and veralu achcharu (pickle). Discussions flowed, ideas were exchanged, friends met, books bought and autographed, food consumed while the coffee ran out even before the start of the first session.

Kudos to the organisers for all the hard work.

(Images curtsey A&K Lit Fest)

Flash Fiction International -W.W.Norton

“The authors of several stories set in war-torn lands, among them Lin Dinh’s “Man Carrying Books” (Vietnam) and Shirani Rajapakse’s “Shattered” (Sri Lanka), use the brevity of the form strategically to suggest the vulnerability of their characters to sudden twists of fate.” Flash Fiction International (W.W.Norton). Read the full review at Publishers Weekly.

Or check out the review at W.W.Norton.

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Catastrophe and Environment

Moving Worlds Volume 14 Number 2 Catastrophe and Environment will be launched during the two-day public conference Reframing Disaster that will be held from 28-29 November 2014 at Leeds.

Reframing Disaster is being held to mark the 30th anniversary of the Bhobal Gas Disaster in India, the 20th anniversary of the Rwandan Genocide and the 10th anniversary of the South Asian Tsunami.

The conference will “think through how these and other global disasters have been conceptualised and represented in art, literature, film and the media.”

For more details about the book including a table of contents and purchase information go here.

Turn to page 44 for my poem “Conversations in the Dark.

Catastrophe and Environment

Cities+Language

The theme of this issue of Cities + is language. The issue “explores how Cities speak through bodies, books, buildings, cracked images, children’s drawings, grafitti, ground diagram sillouettes, maps, mechanical sounds, musical notes, pictures, poems, scents, sidewalks. Consider this issue as a multi-sensory dictionary, whose entries go far beyond words, and go back to them – or simply start with them.”

Check out “Colombo” on page 50.

 

 

Cities+Language

 

 

2014- the Year that Commemorates Global Catastrophes

2014 is a significant year for anniversaries of disasters. While all attention seems to be on the centenary of World War I this year is also significant as it the anniversary of several natural catastrophes that took place around the world. It’s the 30th anniversary of Bhopal Gas Disaster in India, the 20th anniversary of the Rwandan Genocide, and the 10th anniversary of the South Asian tsunami.

Several events to commemorate the anniversaries of the natural disasters are being held in Leeds, UK in November.

  • “Reframing Disaster” a conference connected to an AHRC-funded research project led by Dr Anthony Carrigan, entitled ‘Representing Postcolonial Disaster’ will be organised in November as part of a week-long series of activities designed to coincide directly with the anniversaries of the Bhopal and South Asian tsunami disasters.
  • It will include an exhibition by world-renowned Indian photographer Raghu Rai (the first photographer to document the Bhopal disaster), to be held at the Tetley Gallery (http://thetetley.org/).
  • Launch of the Tsunami anthology by Moving Worlds.

Those interested in participating in the “Reframing Disaster” or presenting papers go here. Note the last date to submit is September 7. You may query at the site. For details on the project Representing Post Colonial Disaster go here.

Deep Water Literary Journal

I tend to publish more poetry than fiction for whatever reason. This is one of the few instances when I published fiction. Check out my flash story “Night Visitor” in Issue 2, published this month. It’s a dark story, but then that’s what the Deep Water Literary Journal is about – exploring the dark side of life. To read the rest of the journal go here.

Animal Liberation Front.com

Mali, the poem written for the jailed Sri Lankan elephant and posted on my blog in 2012 is included in Animal Liberation Front.com. Let’s hope more people get behind the effort to save Mali, like they did for Sunder.  Go here for the poem or go here to check out the rest of the poems, stories and essays  and other facts relating to animal rights/abuse posted on Animal Liberation Front.com.

Short & Sweet launched

Can you tell a story in 25 words? How do you fit in a beginning, middle and an end, describe characters, themes, set the scene, add dialogue in just 25 words?

The answer – Short & Sweet, Sri Lanka’s first ever anthology of hint fiction.

Short & Sweet includes over 160 little pieces of fiction written by over 90 Sri Lankan writers from all walks of life including some well known names such as Yasmine Gooneratne, Shyam Selvadurai and Ameena Hussein. It is curated by Sanjana Hattotuwa.

Short & Sweet was launched last evening in Colombo.

Happy to have one of my short, short, short stories published here.

SANYO DIGITAL CAMERAFor more information and orders go to http://www.pererahussein.com